Kommt nicht oft vor, dass ein Stück so schnell einschlagen kann. Geradezu perfekt passt sich „Boundaries“ von Kyte in die aktuelle Großwetterlage. Die Melancholie des Herbstes eingefangen mit minimalistischem Einsatz von Melodie, Instrumenten und Worten. Dahinter steckt das Label „Erased Tapes“ vom Britdeutschen Robert Rath. Kytes Debut ist ab sofort erhältlich. Und für die sparsamen Zweifel gibt’s den Track des Monats als legalen Download auf Kytes Homepage. Vorbildlich.
Und hier geht’s zum Download (Klick)
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His aunt and uncle, Diane and Buddy Nolan, had ridden out the fierce Category 4 storm at home in the hardy fishing village of Jean Lafitte. No one had heard from the Nolans since Sunday morning, and now the village, along with much of the southeastern Louisiana bayou area, was underwater.
The authorities had rescued more than 70 people in Jean Lafitte and the surrounding communities, said Cynthia Lee Sheng, the Jefferson Parish president, after 8 feet of water overtopped levees, sending several hundred people into attics and onto roofs. At least one person, an older woman, died in her home, Lee Sheng said. The parish had received more than 200 calls for rescue since Sunday.
Across the path of Ida’s destruction, the weathered and storm-weary people of the northern Gulf Coast waded out of flooded communities Monday and surveyed the damage left by one of the most fearsome hurricanes to strike the region since Katrina 16 years ago.
New Orleans and its hardened storm infrastructure appeared to have held up, though the city had no electricity. But with parts of Louisiana still unreachable, the full extent of the wreckage remained unclear.
“It’s never been as bad as it is this time,” said Jesse Touro, 62, who was rescued from Jean Lafitte after riding out storms in town for the past 12 years. He sounded exhausted as he rode a parish bus to find some sort of shelter. “None of them like this one,” he repeated.
New Orleans itself had been bruised but not beaten. Tree limbs and debris clogged the streets from the Bywater neighborhood to Uptown. In the French Quarter, the streets seemed to have been washed almost clean. A few New Orleanians had begun venturing out to walk their dogs
ride bikes and assess the state of things early Monday. Though the city looked sturdy and dry on the outside, many of the problems were unfolding indoors, where the lights could be out for days.
In Houma, a small city about 60 miles southwest of New Orleans, Craig Adams, 53, had planned to spend Saturday night in his beige trailer, but his daughter begged him at 9 p.m., as the storm’s arrival was imminent, to seek shelter somewhere sturdier. On Monday, he was thankful she had. The two-bedroom trailer was wrecked, with only the air-conditioner intact among piles of mangled furniture, kitchen supplies and personal belongings.
“Every little thing that I owned and had, it’s gone,” Adams said. “I’m going to have to start all over again. You always see other people going through this on the news. You never think it’s going to be you — until it is.”
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Crucially, however, there is no single type of story audiences want to watch, she added. „We have different needs depending on our lived experiences, and those needs also change as we process our trauma.“
Inundated with daily updates about case numbers, hospitalizations and deaths, some people may have found comfort in re-watching shows because they didn’t need to pay close attention to what was happening on screen, Dill-Shackleford added. When reality demands our constant concern, it may be comforting to disengage from the outside world and let our minds amble through a story about mask-less teenagers finding a prom date.
At the other end of the spectrum, however, plenty of viewers were seeking out depictions of fictional pandemics. As the virus cases surged across Europe and closed in on the US in the first months
„The decisions to portray the pandemic on screen are more intense than other storytelling decisions,“ she said. „Writers and directors don’t know which part of their audience they’re providing a service for and which part of their audience can’t bring themselves to watch.“
This isn’t the first time studios have faced such quandaries in the wake of a deadly event — and their approaches have varied. The bombing of Hiroshima and Nagasaki, for instance, manifested in Ishiro Honda’s 1954 film „Godzilla“ as a creature that wreaks havoc on helpless citizens. Rather than shying away from fears of nuclear holocaust, the movie reflected Japanese anxiety around nuclear destruction.
Conversely, after 9/11 many US storytellers avoided tackling the tragedy head-on. Several TV shows that were set in or around New York, like „Sex and the City,“ and „The Sopranos,“
But series revolving around frontline healthcare workers and grocery store employees, like „Grey’s Anatomy“ and „Superstore,“ clearly felt more obligated to portray their experiences on-screen. One of the most prominent examples of pandemic storytelling came from season seven of ABC’s comedy „Black-ish,“ which explored the ways Covid-19 affected members of the Johnson family as they work, attend school (via Zoom) and live in close proximity to one another.
At one point, father Dre (Anthony Anderson) slumps down on the couch and admits that he’s been feeling irritable and anxious, complaining that „nothing feels normal.“ His anesthesiologist wife, Rainbow (Tracee Ellis Ross), shakes her head sympathetically and responds,
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„If we throw open the doors to we risk seeing our public hospitals collapse and part of this stems from a long-term lack of investment in public hospital capacity by state and federal governments,“ AMA President Dr. Omar Khorshid said in a statement.
Speaking on Friday, Morrison said the government was examining the Australian hospital system’s ability to cope with infections ahead of reopening — and that preparation had been underway for some time.
Melbourne restaurant owner Luke Stepsys has had both doses of a vaccine, but when he ran out of milk on Tuesday night he couldn’t leave his house to get more. It was already past Melbourne’s 9 p.m. curfew.
„You just feel so confused, so depressed, you just don’t have an answers. I’ve got to be strong for all of my staff, I’ve got to be strong for my family, but internally I’m just burning alive.“
On August 5, state authorities ordered Victorians into lockdown after a small number of cases crossed the border from New South Wales. Citizens are allowed to leave their homes only for essential reasons, such as to buy groceries.